Archive For Abstracts
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Jan Kandiyali – Aesthetic Production and the Division of Labour (University of Sheffield)
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Posted on March 16, 2012 3:55 AM
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Sami Khatib – The Aesthetic of ‘Real Abstraction’: Reading Das Kapital with Alfred Sohn-Rethel and Walter Benjamin (Jan van Eyck Academie/Freie Universität Berlin)
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Posted on March 16, 2012 3:40 AM
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Roger Foster – The Two Forms of Value Creating Creativity in Marx (City University of New York)
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Posted on March 16, 2012 3:35 AM
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Anna-Katharina Gisbertz – Cells, Body, and the Power of Abstraction: Marx’s “Anatomy” of Economics between Aesthetics and Sense Physiology (Universität Mannheim)
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Posted on March 16, 2012 3:30 AM
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Monique Roelofs – Antagonism and address: rallying aesthetic promises in Neruda (Hampshire College)
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Posted on March 16, 2012 3:25 AM
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Nicola Hille – Images of Marx in Painting: Diego Rivera’s murals (Universität Tübingen)
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Posted on March 16, 2012 3:20 AM
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Lu Xinghua – The Hangzhou Capital Film-Action (Tongji University)
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Posted on March 16, 2012 3:10 AM
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Sven Lütticken – Filming Capital and Filming ‘Capital’ (Vrije Universiteit Amsterdam)
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Posted on March 16, 2012 3:00 AM
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Rachel Aumiller – Comic Anguish: Marx and Hegel on the Theatrical and Historical Stage of Comedy (Villanova University)
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Posted on March 16, 2012 2:55 AM
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Christian Smith – The Shakespearean Roots of Marx’s Aesthetic (University of Warwick)
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Posted on March 16, 2012 2:50 AM
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Jernej Habjan – Bourgeois Revolution, Counter-Revolution, and Social Revolution as Irreducible Genres in Marx’s Eighteenth Brumaire of Louis Bonaparte (Slovenian Academy of Sciences and Arts)
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Posted on March 16, 2012 2:45 AM
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Mel Jordan – Aesthetics, Apparatus and Linguistic Community in the practice of the Freee art collective (Loughborough University)
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Posted on March 16, 2012 2:40 AM
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Beverley Best – An Aesthetics of Political Economy (Concordia University)
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Posted on March 16, 2012 2:25 AM
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Lev Kreft – Capitalism and Art in Marxist Aesthetics (University of Ljubljana)
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Posted on March 16, 2012 2:20 AM
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Carolyn Lesjak – Representing Jameson’s Capital (Simon Fraser University)
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Posted on March 16, 2012 2:15 AM
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Gary Teeple – Postmodernism and the End of Art (Simon Fraser University)
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Posted on March 16, 2012 2:10 AM
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Andrew Parker – Re-Marx (Amherst College)
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Posted on March 16, 2012 2:05 AM
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Joseph Luna – Das Ganze ist die Ware (University of Sussex)
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Posted on March 16, 2012 2:00 AM
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Clint Burnham – Photography as Symptom: From Benjamin to Zizek, via the Petrochemical Sublime of Edward Burtynsky (Simon Fraser University)
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Posted on March 16, 2012 2:00 AM
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Ksenija Berk – The Image of Karl Marx in Theatre Poster Design as a Radical Social Critique in Early 1980s (Ljubljana, Slovenia)
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Posted on March 16, 2012 1:55 AM
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Sharon Kivland – Liberty is not a choice between objects (Sheffield Hallam University)
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Posted on March 16, 2012 1:50 AM
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Andreas Rumpfhuber – The (Vienna) Housing Question Limits and Prospects of Contemporary Social Housing (Expanded Design, Vienna)
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Posted on March 16, 2012 1:45 AM
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Matthew Noble-Olson – Late Capitalism and Late Work (Brown University)
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Posted on March 16, 2012 1:40 AM
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Mark Howard – Aesthetics and Autonomist (Monash University)
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Posted on March 16, 2012 1:35 AM
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Mark Soderstrom – Marx’s Modern Morlocks: Work and Working Bodies in Modern Speculative Fiction (SUNY Empire State College)
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Posted on March 16, 2012 1:30 AM
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Fusheng Wang – (Jilin University)
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Posted on March 16, 2012 1:20 AM
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Stewart Martin – On the aesthetics of life in Marx (Middlesex University)
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Posted on March 16, 2012 1:15 AM
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Dale Jacquette – Marx and Industrial Age Aesthetics of Alienation (Universität Bern)
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Posted on March 16, 2012 1:10 AM
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Anthony Torres – Toward A Basis for Marxian Aesthetics
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Posted on March 16, 2012 1:05 AM
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Yasemin Sari – Aestheticizing Marx and Arendt: A Productive Politics (University of Alberta)
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Posted on March 16, 2012 12:00 AM
